MARADONA TRIBUTE: FUGUE ON A SOCCER STADIUM THEME
Add to favorites
ANA LEIRA CARNERO
MADRID - Spain
Download work
Share in: twitter facebook pinterest url

About the work

Hear a demo of this piece at: https://www.youtube.com/watch?v=DHo-vmhskfE

Find out more info at: https://analeiracarnero.blogspot.com/p/maradona-tribute.html

Maradona Tribute: Fugue on a Soccer Stadium Theme.

For Solo Piano. 2022 Revision.

Composed and Revised by ANA LEIRA CARNERO.

Composed as a personal response to the earth-shattering death of the legendary soccer player Diego Maradona, this fugue for solo piano is more a celebration of his extraordinary life and talent than a mourning of his heartbreaking passing.

The fugue subject is derived from the iconic ¡Olé, olé, olé, olé, Diego, Diego! chant—a rhythmic hymn sung by fans throughout the athlete's career and to this day. Here, this Soccer Stadium Theme is enriched by the counterpoint of multiple original melodies with the playfulness of a jazz-inflected style, alternating with episodes of free musical creation (the so-called divertimenti of the fugue form). The jazz-based syncopated character of the musical ideas mirrors the spontaneous joy of Maradona’s play, his street-born agility, and his improvisational genius on the soccer field.

As the fugue reaches its climax in the coda, the work undergoes a dramatic transformation. Moving beyond its initial lightheartedness, the chant is developed with newfound majesty and gravity. This final stylistic shift—moving away from the "jazzy" and toward a quasi-Gothic aesthetic—is intended to evoke the divine status Maradona held in the hearts of millions. It is a transition from the earthly joy of the game to a solemn tribute to a man revered as God: D10S.

Registered at Safe Creative

Code: 2604205336643
Date: Apr 20 2026 04:00 UTC
Composer: ANA LEIRA CARNERO
License: Creative Commons Attribution-NonCommercial 4.0
Usage in AI: This work cannot be made available to AI systems.

Comments

About the creator

Ana Leira Carnero is an Argentine-Spanish composer whose music bridges the gap between classical tradition and popular genres, establishing her as a versatile force in the contemporary scene. Whether navigating intricate contrapuntal textures or the rhythmic energy of jazz, her unique artistic voice always speaks with a powerful appeal.

Ana's musical education began at age seven. As a teenager, she was trained by the legendary piano master Ana Litowsky-Grunwald, developing into a highly skilled pianist. At age fifteen, she gained admission to advanced studies at the Carlos López Buchardo National Conservatory in Buenos Aires, where she earned her degree as a National Professor of Music. Her curriculum included piano, harmony, contemporary styles, choral conducting, and music history, among other subjects. Following graduation, she was selected by the multi-award-winning pianist Aldo Antognazzi for top-level piano instruction under his invaluable mentorship. She furthered her expertise through independent studies in composition, counterpoint, and orchestration. Over the years, she has continued to expand her artistic horizons through specialized masterclasses led by distinguished figures in the international music community.

Today, Ana is an eclectic composer who draws from a vast stylistic palette, ranging from Neo-Baroque to avant-garde and incorporating elements of jazz, blues, rock, and folk. Her catalog features chamber and orchestral pieces, art songs, and solo piano compositions. Her works have been performed across the globe (Argentina, Australia, Austria, Brazil, Chile, France, the Netherlands, Spain, and the United States) at prestigious venues, including Usina del Arte (Buenos Aires), Monash University (Melbourne), Mozarthaus (Vienna), Teatro Biobío (Concepción), and the University of Wisconsin–Madison. The list of performers encompasses world-class virtuosi such as Adela Urcan, Édua Zádory, and Sergiy Bolotny, as well as notable ensembles like the Orquesta de Cámara del Congreso de la Nación, conducted by Sebastiano de Filippi, and the Orquesta de Cámara Ciudadana de Concepción, led by Leandro Botto Schuhmacher.

Ana's compositions are frequently broadcast on Argentine radio and have obtained positive reviews from critics. Renowned violinist Hugo Ticciati said: "Composers such as Ana Leira Carnero... write music that stays deeply connected to our emotional lives as humans while also taking us on challenging journeys through diverse and exciting musical landscapes." Additionally, the French music website Creim chose her "Adagio for Solo Violin" as one of "Les plus beaux solos de violon par des musiciennes contemporaines" (The most beautiful violin solos by contemporary female musicians). While pieces like "Adagio" delve into a profoundly abstract world, other works of hers are linked to concrete events that affect our real lives, such as "Funeral Music for Pandemic's Fallen Heroes" and "Maradona Tribute."

Regarding accolades, her violin duet "Carnavalito XXI" won Co-First Prize in the 2023 LunART Festival Call for Scores (Madison, WI), selected from over 150 entries by a panel of 17 judges. Her "Adagio for Solo Violin" secured Co-First Prize in the 2024 Deleuze New Music Collective Call for Scores (New York/Chicago). Moreover, her Piano Sonata No. 3 received an Honorable Mention in the Composition Category of the 2022 International Piano Competition organized by the World Piano Teachers Association (WPTA), Argentine branch. From 2018 to 2023, Ana was a member of the centennial Argentine Association of Composers, after a rigorous peer-review admission process.

***

Top Works

View all works
Do you want to be up to date with everything that happens in Creators?

Subscribe to our Safe Creative newsletters

I have read and accept the privacy policy

Submit

OK

You have already subscribed to our newsletter.
You will receive our news soon =)

© 2024 Safe Creative